Movie: "Hercules" 1997
Jun. 15th, 2008 12:30 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
timepiececlockI'll try to turn my brain off for this.
I like the "supremes" style opening notes. And the art style.
00:01:34 - Zues and titans and Uhhh....UUHHHH .... my head.... it's starting... it's STARTING TO HURT......
00:03:00 Who is this woman? Hercules's mother was a mortal.
00:04:30 - PEGASIS? ::headdesk:: ::HEADDESK:::
00:05:05 - Hades is evil. Right. Of course. You know, this whole scene is eerily similar to Sleeping Beauty's fairy tale beginning.
00:06:36 - "He was as mean as he was ruthless, and that's the gospel truth." NO IT IS NOT THE GOSPEL TRUTH! SHUT UP!
00:08 - "We know!" / "I know you know! I got it! I got the concept." Clearly James Woods is here to make my headache go away.
- I love the design of his lair.
- Does this plot have ANYTHING to do with Herculean myth? I don't know much about Hercules, but I don't remember any plot like this.
00:20 - "Go the Distance"... he just walked up a yellow road to a field of poppies. If Hades sends flying marsupials after him, there will be some grudging on my part.
21:00 - good scream. I'd scream too.
-Did he say "your mother's beautiful ass"?
-I like this talking statue trick
00:30: - I'm picking my split ends during the training song. Bad sign.
00:39 - I'd like to buy some pita bread, actually...
00:44 - Is this the hydra? I remember he fought a hydra, somewhere.
00:53 - People didn't sell their soul to Hades, because he's not the devil. He got everyone's soul ANYWAY.
00:55 - HERCULES KILLED SCAR? That bastard.
1:00 - most interesting song so far, visually, but it's a bit static. This movie is doing the PLOT | SONG | PLOT | SONG | PLOT thing, rather than having the songs advance the story. Still, I like the greek chorus.
1:17 - so all he has to do is set them free? They were free ten minutes ago, and it didn't help.
The movie takes a more genuine romantic tone with the scene where Hercules goes into the toilet bowl of souls (I can't even...it's so...just, no. no.) to make the Orpheus journey. I think the voice actor for Hercules played that scene well.
OVERALL:
It was okay. I liked Hunchback a lot more, I think. I don't know if I'll ever be interested in watching this one again. I mean... for all that Hunchback was unusual for a Disney film, this one is EXACTLY to mold, but its lacking soul. Or, at least, any soul I can identify with. I liked Tarzan better too, though Tarzan wasn't my favorite either.
When it comes to characters, Hercules was okay, but coming after Quasimodo, it feels like a bit of a "so what?" This version of Hercules's biggest problem is that his super-strength makes him clumsy, and makes people wary around him. It seems trivial in comparison to Quasimodo's sorrow. Maybe if this movie had been made two or three years later, and hadn't directly followed after Hunchback, I wouldn't feel the need to compare so strongly. It's like Disney made this movie because they felt they had been to ambitious, too arty, and too real with the last one, and they needed to get their feet firmly planted back in Never Never Land.
The art was lovely, and I appreciated the visual style for the kind of project it was.
The music I wasn't terribly into. It was okay.
I like the "supremes" style opening notes. And the art style.
00:01:34 - Zues and titans and Uhhh....UUHHHH .... my head.... it's starting... it's STARTING TO HURT......
00:03:00 Who is this woman? Hercules's mother was a mortal.
00:04:30 - PEGASIS? ::headdesk:: ::HEADDESK:::
00:05:05 - Hades is evil. Right. Of course. You know, this whole scene is eerily similar to Sleeping Beauty's fairy tale beginning.
00:06:36 - "He was as mean as he was ruthless, and that's the gospel truth." NO IT IS NOT THE GOSPEL TRUTH! SHUT UP!
00:08 - "We know!" / "I know you know! I got it! I got the concept." Clearly James Woods is here to make my headache go away.
- I love the design of his lair.
- Does this plot have ANYTHING to do with Herculean myth? I don't know much about Hercules, but I don't remember any plot like this.
00:20 - "Go the Distance"... he just walked up a yellow road to a field of poppies. If Hades sends flying marsupials after him, there will be some grudging on my part.
21:00 - good scream. I'd scream too.
-Did he say "your mother's beautiful ass"?
-I like this talking statue trick
00:30: - I'm picking my split ends during the training song. Bad sign.
00:39 - I'd like to buy some pita bread, actually...
00:44 - Is this the hydra? I remember he fought a hydra, somewhere.
00:53 - People didn't sell their soul to Hades, because he's not the devil. He got everyone's soul ANYWAY.
00:55 - HERCULES KILLED SCAR? That bastard.
1:00 - most interesting song so far, visually, but it's a bit static. This movie is doing the PLOT | SONG | PLOT | SONG | PLOT thing, rather than having the songs advance the story. Still, I like the greek chorus.
1:17 - so all he has to do is set them free? They were free ten minutes ago, and it didn't help.
The movie takes a more genuine romantic tone with the scene where Hercules goes into the toilet bowl of souls (I can't even...it's so...just, no. no.) to make the Orpheus journey. I think the voice actor for Hercules played that scene well.
OVERALL:
It was okay. I liked Hunchback a lot more, I think. I don't know if I'll ever be interested in watching this one again. I mean... for all that Hunchback was unusual for a Disney film, this one is EXACTLY to mold, but its lacking soul. Or, at least, any soul I can identify with. I liked Tarzan better too, though Tarzan wasn't my favorite either.
When it comes to characters, Hercules was okay, but coming after Quasimodo, it feels like a bit of a "so what?" This version of Hercules's biggest problem is that his super-strength makes him clumsy, and makes people wary around him. It seems trivial in comparison to Quasimodo's sorrow. Maybe if this movie had been made two or three years later, and hadn't directly followed after Hunchback, I wouldn't feel the need to compare so strongly. It's like Disney made this movie because they felt they had been to ambitious, too arty, and too real with the last one, and they needed to get their feet firmly planted back in Never Never Land.
The art was lovely, and I appreciated the visual style for the kind of project it was.
The music I wasn't terribly into. It was okay.
