It's methodical and almost paced... but not slow. Simply more careful and thorough than a lot of anime series take the time to be. Like 12Kingdoms, this reminds me of the experience of reading a novel, although 12K was much too slow at points. Seirei no Moribito feels like an epic series in gradual advancement. My interest in the plot is high, the world of the characters is new but familiar enough not to be a big issue, and the characters are already strong and three-dimensional.
I'm most impressed by the choice of protagonist... a stoic, conservative female warrior on the brink of turning 30, repenting through past evils and seeking a higher way of life without needless killing. Not only is it unusual for anime to take what would normally be a stock "male" role and make the character female instead, but it's unusual for any anime to have a female protagonist whose older than 25. And now this woman, who has been a drifter for her whole life, is suddenly saddled with a child... a self-conscious, spoiled boy of about 10-11 years. He's not a bad kid-- in fact he seems to take it to heart how much other people have sacrificed and continue to sacrifice for him--but he's immature and unsure of himself, and has practically no useful skills.
The eclesiastical character--Shuga-- I also find him interesting, and I look forward to the future events that make his plotline overlap with Balsa's. I can't help but feel that the whole empire is going to go through some significant changes before the end of this show... we see little hints of conflict in the clergy, in the royal family, and in the spy network connecting everyone to everyone else. I just know the camera doesn't pause on the covered faces of the servants so often for nothing.
no subject
Date: 2008-05-05 08:46 pm (UTC)Regarding the arc including Taiki and G... Gyosou? Taiki's king, YES. I wouldn't say I thought it was boring - I'm a total sucker for any ambitious worldbuilding in general (*cough* closetRobertJordanfan *cough*) - but when I found out that they weren't going to resolve it AT ALL in the anime adaptation - yeah. A waste of funds, in my opinion. I wholeheartedly believe they should've made episode 39 the very last episode, immediately after Youko passes her first law as Kei-ou. It was so final and full of authority that it would've been an epic last-scene-ever; they even had the Pirates of the Caribbean background music playing and everything.
re: Seirei's emotional intensity
Yep, that vibe doesn't kick in until well into the series - but it does get there, and the viewer falls hard. The dynamics between Balsa and Chagum become extremely intense, and if by episode 18 or 19, you aren't fully engaged by the characters, then I doubt you could be afterwards.
Before that, though, there is a sort of lull in the plot that may result in a few really calm, almost dull episodes - they're not bad, though, and there are absolutely no real fillers. What might appear to be a filler actually harbors some kind of significance to be explored a little later. That's what I love about Seirei: so high-quality, yet so economic. What's missing is the trademark crack that comes with anime, but I did start Ranma 1/2 immediately afterwards and, well. ^^;;