Dollhouse 1x01
Feb. 13th, 2009 11:57 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
timepiececlockIt's time. Whedon's back on tv, we can all snuggle up with a brownie and a mug of tea and complain about how he hates minorities and women while we fall in love with his casting choices.
It was interesting. It definitely felt like a pilot.
Amy Acker: I was surprised to see her. How creepy was SHE?
The programmer... eh. He's like Andrew, but not as cute. And he's kind of amoral creepy. But in amoral Warren way, not amoral Spike way.
I am in love with the FBI guy. That actor. I heart him. He's the reason I'm planning to watch season 4 of BSG soon. I noticed, in this show, that his character was introduced with a context of heavy violence. His rap sheet, the boxing, and the gun in the bathroom. Interesting. I also noticed that the show made the immediate jump to human trafficking. They named it in the pilot, which I expected they would try to avoid.
Echo was introduced in a context of victimhood, then sex, then intellectualism, then a victim conquering her fear.
Some of the dialogue felt weird to me. When Echo said "She hurts," that was kinda pretentious. Having their personalities replaced doesn't mean they speak weirdly. Though it would be a surprise they can speak between wipes at all, if a brainwipe is so total as to include implanted childhood memories.
It was less quippy than BtVS, AtS, or Firefly. I felt like this show was definitely going for a more mainstream audience, and it cost Joss some of his witty style. I noticed they didn't market it with Firefly or Buffy as references at all. Instead they chose a weird and somewhat offensive sexual objectification campaign with Terminator: tSCC. That show is good, though, so I'm hoping the two help each other in ratings.
This reminded me of all the stuff I read about La Femme Nikita, though I never watched it.
From what I've seen, I think issues of agency, motivation, and freedom are going to be The Big Point of the show, so I'm not bothered by how the main character is starting from a relatively passive position. She's going to take time to discover the need to fight for herself, and then the fight will be a long and painful one.
My opinion: it's too soon to tell. Definitely has some good points, but it will be hard to keep this original. If Joss sticks to solid character development of his main cast, which is what he's known for, then we should be in for something entertaining at least.
It was interesting. It definitely felt like a pilot.
Amy Acker: I was surprised to see her. How creepy was SHE?
The programmer... eh. He's like Andrew, but not as cute. And he's kind of amoral creepy. But in amoral Warren way, not amoral Spike way.
I am in love with the FBI guy. That actor. I heart him. He's the reason I'm planning to watch season 4 of BSG soon. I noticed, in this show, that his character was introduced with a context of heavy violence. His rap sheet, the boxing, and the gun in the bathroom. Interesting. I also noticed that the show made the immediate jump to human trafficking. They named it in the pilot, which I expected they would try to avoid.
Echo was introduced in a context of victimhood, then sex, then intellectualism, then a victim conquering her fear.
Some of the dialogue felt weird to me. When Echo said "She hurts," that was kinda pretentious. Having their personalities replaced doesn't mean they speak weirdly. Though it would be a surprise they can speak between wipes at all, if a brainwipe is so total as to include implanted childhood memories.
It was less quippy than BtVS, AtS, or Firefly. I felt like this show was definitely going for a more mainstream audience, and it cost Joss some of his witty style. I noticed they didn't market it with Firefly or Buffy as references at all. Instead they chose a weird and somewhat offensive sexual objectification campaign with Terminator: tSCC. That show is good, though, so I'm hoping the two help each other in ratings.
This reminded me of all the stuff I read about La Femme Nikita, though I never watched it.
From what I've seen, I think issues of agency, motivation, and freedom are going to be The Big Point of the show, so I'm not bothered by how the main character is starting from a relatively passive position. She's going to take time to discover the need to fight for herself, and then the fight will be a long and painful one.
My opinion: it's too soon to tell. Definitely has some good points, but it will be hard to keep this original. If Joss sticks to solid character development of his main cast, which is what he's known for, then we should be in for something entertaining at least.
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Date: 2009-02-14 05:08 pm (UTC)no subject
Date: 2009-02-21 08:32 am (UTC)