Aug. 18th, 2003

timepiececlock: (braveheart)
What's the worst experience you had with a famous or classic book? What noted title makes your teech grind and your cheek twitch with flashbacks of literary torture?


A.) Jane Eyre by Charlotte Bronte and Tess of the D'Urbervilles by Thomas Hardy

Two books that are supposed to celebrate strong women of the Victorian Era, but mostly it just pissed me off. Instead of being inspired by the so-called "endurance and strength" these women seemingly displayed, I was bitterly turned off of them because of their constant dependence upon men to determine what makes their lives "good," the constant accepting of blame on behalf of those men, and the willingness to endure any emotionally abusive and manipulative treatment for the sake of "standing by your man, because he's truly good at heart, but only I know him enough to see it." I just wanted to smack those women repeatedly. I wouldn't have even finished the books had they not been assigned reading for a class that I needed to write essays for. They might be vaunted as literary classics about "strong and independant women," but apparently they're really only "strong and independant women who are only complete when they sacrifice themselves to have men in their lives that don't deserve them by any stretch."

That kind of thinking still regulates women into submissive roles. "Wuthering Heights" was the better Bronte novel, if only because EVERYONE in that book was messed up except the very youngest generation, and I didn't feel obligated to sympathize with a character I had no respect for.


B.) Ethan Frome by Edith Wharton

Had to read this one too; it's only saving grace was that it was short. A few weeks later I was explaining the plot and characters to my mother. After I finished a rather detailed fun-down of the novel from beginning to end, my mother asked "That's sounds horrid. Why don't these people all just kill each other and put everyone out of their misery?"
I said "I spent most of the book hoping for it. I was sadly disappointed. It wasn't just that I didn't like any of them, it's that they were all so stupid I couldn't bare it."
She said, "Hm. I think I'll live a happy and fullfilled life without ever reading that."
I said, "I only wish."


C.) The Good Earth by Pearl Buck

It's about a Chinese family, and basically how much life as a Chinese peasant sucks dead karma eggs.

Actually, reading a book that boring is what sucks dead eggs. For much of the time I felt like standing up in the middle of my 10th grade English class and borrowing a line from Hook: "Why doesn't someone just shoot me in the head?"

**
Now, I don't bitch at every old English novel. For example, I loved Mary Shelley's Frankenstein. And not because it was scary-- it wasn't. I loved it because the themes actually said something of value, in a way that didn't put me to sleep.
timepiececlock: (you blur everything)
Luckily for me, I remembered that the episodes are playing on Sunday nights too, so I won't miss recording CB's episode "Ballad of Fallen Angels." There's just something about watching somethign on tv, isn't there? I've already seen Trigun and have most of it on DVD-- but this feels like a special viewing because it's on tv.

Episode 5 is the Trigun episode that really marks a change in the thematic style and the first real conflict. The situation in this episode starts to take on the shades of gray that are present in nearly every epsiode after. The confict is two-fold: a town full of good, honest people who are not normal killers end up holding Vash at gunpoint (mostly women, interestingly enough-- I loved how this show didn't shelve the female characters into background scenery), because the money from his bounty would save their town and possibly some of their lives. Then, as a third party is involved, it becomes a hostage situation, and the hostages Vash has to save are the same people who held a gun on him earlier.

A lot of things happen:

-Vash fires his gun for the very first time in this episode.
-Meryl accepts that the man they've been chasing really is the legendary outlaw.
-Vash is confronted about his guilt in having $$60,000,000,000 bounty, and the destruction of a major colony city that brought the price down on him... and the jovial nice-guy has nothing to say.
-We are shown the lengths even non-violent people will go, and see why the bounty price brings more destruction, perhaps, than Vash himself. Well, except for that pesky city he completely leveled once upon a time.
-The ready violence in even the most innocent people on this colony planet is brought to light, establishing the mood of society they've all created on this planet, and the suffocating depression that underlies everything you see.
-Vash saves everyone. No one dies. A pattern of Vash's behavior is established.

This was always one of my favorite episodes. Not only does it have a lot of cool screen shots, but the series goes from comedic to lethally serious in one 20-minute episode. It pops back into comedy at the end again, and the audience can breathe a sigh of relief because "everything was ok." But the darker undertones never really leave the series once they appear, and this is the beginning of the glorius downward spiral that is Vash and Trigun. After this, nothing is quite simple any more.

From a story point I really loved it when the Nebraska leader says, "There's no way you could have survived all of this for this long without hurting SOMEONE along the way. The sixty-billion double dollars on your head is proof of that." I loved that moment, and how Vash doesn't say anything, because it reminds us, the audience: this guy is dangerous. We've spent 4 episodes getting to like him in his happy-go-lucky, cowardly but heroic ways, and now reality is back in the picture. He is an outlaw, and he has the biggest bounty in history. And that means he's guilty of something truly horrible that you don't even want to associate with the funny guy who likes kids and will be friends with anyone.

Next episode: Freaky Flashbacks! Fragmented bits of Vash's past are explored, and fate comes to balance the scales in the form of a lady with a big friggin' hat and the soul of a justice demon.
timepiececlock: (spike sold the world)
So, has anyone else been reading the Draco/Hermione fanfic Unwanted Bonds? It's up to chapter 21 now, and I was suprised with where the story went.
timepiececlock: (lightning struck my brain)
I could watch this for hours.


timepiececlock: (braveheart)
You know that feeling you get with old music sometimes. You plug in an old CD, and you listen to it. And for some reason, you find yourself attaching to a song that you never really paid much attention to before. But all of a sudden you love it, it's in your head, and stays with you as a "favorite song" for months. That's what I've been getting with the Counting Crows song "Another Horsedreamer's Blues."

Icon ideas

Aug. 18th, 2003 06:48 pm
timepiececlock: (Default)
Subject: Spike Spiegel

looks: +1
style: +1
financial prospects: -2
personality: -1
capable: +2
emotional stability: -3

overall rating: -2

WE DO NOT RECCOMEND THIS PRODUCT FOR USE BEYOND SUGGESTED ONE-NIGHT LIMIT.






God I need a S/F icon that has the following Fight Club conversation:

frame2- pic of Spike and Jet
Spike: "You've got some fucked-up friends, I'm telling you."

frame3- pic of Spike talking
Spike: "And the shit that came out of that woman's mouth I ain't never heard!"

frame4- edited pic of Faye and Spike together looking post-coital:
Faye: "My God...I haven't been fucked like that since grade school."

frame5- pic of Spike looking amused and squicked:
Spike: "Ehgh!"

----

B/A almost ended the world.
B/S saved the world.
Which is more important in Buffyverse?


---

For all my Spuffers, Spucks, fangirls, and poodles: (I sometimes question your sanity and always rejoice in your loyalty)

"Welcome to Spuffy fandomania [close up on TR kiss bottom-of-mouths]
You can check out any time
But you can never leave." [Spike growling/roaring]
"p.s. Angel's a pansy!" [black on white, XFiles font]

--

"You're my shooting star" (Chosen-Spike)

"Tears form behind my eyes
But I do not cry" (Chosen, Buffy, after says "Spike")

"It feels like I'm starting all over again
The last few years were just pretend" (Spike and Buffy, Touched--Chosen)

"Goodbye to everything I thought I knew
You were the one I loved
The one thing that I tried to hold on to"
(Buffy, post-Chosen, flash of them together)

"I still get lost in your eyes
And it seems that I can't live a day without you
Closing my eyes and you chase my thoughts away" (Spuffy)

[To a place where I am blinded by the light] "But it's not right" (Buffy and Angel, Chosen)

"I want what's yours and I want what's mine" (standing opposite basement Chosen)

"But I'm not giving in this time" (Spike, Chosen)

as one:
"And when the stars fall .....(cavern buring)
I will lie awake ..............(Buffy, Chosen, or Lessons/BY)
You're my shooting star"...........(Spike, glowing)
--


Things I'll put on an icon some day:

"How many special people change?"

"How many lives are livin' strange?"

"Remember me to one who lives there
She once was a true love of mine "

"Washed is the ground with so many tears"

"I will show show you fear in a handful of dust."

"I know I have been happiest at your side;
But what is done, is done, and all's to be."

"And you must go on breathing,
But I'll be safe in hell."

"You will go faltering after
The bright, imperious line"

"young and lusty
Among the roaring dead."

"noone loved him more by more"

"one day anyone died i guess
(and noone stooped to kiss his face)"

"all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes."

"one hasn't a why or because or although"

"deep in the high that does nothing but fall"

"we're everything brighter than even the sun"

"You have seen poor maidens die" (slayers)
----------------------------------------------


And I think... this ENTIRE poem onto one icon:

"FOUR winds blowing thro' the sky,
You have seen poor maidens die,
(Buffy heartbroken after angel)
Tell me then what I shall do
That my lover may be true."
(end of Entropy)
Said the wind from out the south,
"Lay no kiss upon his mouth,"
(Buffy turns head away during DMP or DT)
And the wind from out the west,
"Wound the heart within his breast,"
(AYW)
And the wind from out the east,
"Send him empty from the feast,"
(2-box door slam in Crush; or First Date)
And the wind from out the north,
"In the tempest thrust him forth,
(Get It done)
When thou art more cruel than he,
(BY)
Then will Love be kind to thee."
(Touched or Chosen)

...a couplet each slide..two for the last two lines... That's 8 slides... I could fit that!
timepiececlock: (braveheart)
I was rereading an old snippet of possible Dirty Girls fanfic, and I found myself liking it better than when I first wrote it. It's piqued my interest again, but I don't remember what I was trying to do with it.

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