timepiececlock: (Origin of Love)
They just don't make social revolutions like they used to. The finale three minutes of this episode, in which we switch from the character groups in the reading of the Declaration of Independence, feature powerful imagery. The pox, the colonial uniforms, the farm, the guns, the letters, the children.

As the title character Giamatti is good, but Laura Linney is amazing as Abigail Adams. The writing portrays a captivating relationship between the these two incredibly strong people, but when they're in a scene together my eyes inevitably stray to Linney. She earns her Emmy and then some. The scenes with her children and the vaccinations were heartbreaking.
timepiececlock: (Bright Imperious Line - Zuko/Katara)
I've started watching the first episode of HBO's John Adams and I have been absorbed by it. IT'S SO GOOD! I mean, I know everyone said it was, but it really, really is! It's not as slow as I expected, and the actors are stellar. My only complaint would be that I wish each character would have a little bubble floating near them showing their name, so that I could keep track of who is who.

Man, revolution movies get to all my patriotic heartstrings.
timepiececlock: (Origin of Love)
I've been fascinated by the number three for a long time. It's not my favorite number (that'd be 12), but it's always held a bit of a mystique for me. I learned the rule of 3 and 5 when I first took art class, and it has lasted in my mind longer than most of the other things I learned in high school.

I love phrases that come in three words, I love lists of three, I note that the first essays they make you write in school have three body paragraphs, and there's three primary colors, and all great stories have three characters, even if the third character is just a place or an idea. The three main characters for ATLA, for example, are Aang, the Avatar, and Zuko. The three main characters of The X Files are Mulder, Scully, and the FBI. The three main characters of The Little Mermaid are Ariel, Ursula, and Eric.

Three nights of moonlight for werewolves to transform, three promises to seal it, 1-2-3-GO!, rock-paper-scissors, getting your steak done to well, medium, or rare.

Clovers have three leaves, I'll give you three guesses, three sirens, three fates, three warnings, three colors on the stop light, three medals to win at the Olympics, and the linguistic conjugation of good, better, best.

It's a great number to play with, and it holds a unique place in our culture, structurally and linguistically. After all, nobody ever wrote a song called called "Bizzare Love Square."
timepiececlock: (Ahiru & Fakir text)
Eliza Brock


Nantucket Girl's Song


Then I'll haste to wed a sailor, and send him off to sea,
For a life of independence, is the pleasant life for me.
But every now and then I shall like to see his face,
For it always seems to me to beam with manly grace,
With his brow so nobly open, and his dark and kindly eye,
Oh my heart beats fondly towards him whenever he is nigh.
But when he says "Goodbye my love, I'm off across the sea,"
First I cry for his departure, then laugh because I'm free.




Picked up my brother's copy of In the Heart of the Sea: The Tragedy of the Wahleship Essex, and finding the first 20 pages to be well-written and interesting. I don't usually go in for non-fiction, but the cover caught my eye, and my brother was intending to lock it away in the attic anyway. I practically rescued it. It opens with general history of the island of Nantucket, MA---which I'd never heard about before---the whaling capital of the world for the 18 and 19th centuries.

I fell in love with this odd little verse, written by one of the local women to describe the 3-years-away, 3-months-home marriage cycle of whale hunters, and how the women of the community, in the absence of the men, adapted to the lifestyle of being the primary governing forces of the town.

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